In October 2008, I sent an email to Fabrizio Mirabella requesting an interview to be published on my blog, as I was intrigued by his story as an architect in Africa. A day later, I received a reply from his mother informing me that Fabrizio had died on August 2, 2006, due to a fatal illness and that a simple search for Fabrizio Mirabella on any search engine would reveal news related to his name. Shocked by the discovery of his death, which made my request inappropriate and embarrassing, I never responded to his mother. Fabrizio's blog, in its simple form of an online diary, deserves to be read because it has the same literary dignity and value of testimony found in the diaries of the Archivio di Pieve Santo Stefano. Fortunately, his diary is still readable on the Professione Architetto website1. The first post dates back to April 2004*, the last to August 1, 2006, seven days before his death*.
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15 luglio 2024
10 luglio 2024
0062 [MONDOBLOG] Il web log tra diario e zilbadone
«Quaderno di appunti e abbozzi annotati senz‘ordine: l‘evoluzione del pensiero del Leopardi si può ricostruire dagli appunti del suo "Zibaldone".» (DEVOTO OLI)
«Sono un blogger – scrive lo scrittore di fantascienza Bruce Sterling - e un entusiasta degli spezzoni di narrativa associati casualmente, ma mi è sempre stato chiaro che il contenuto di un blog ha una vita corta. È come recitare una stand-up comedy.»2
0062 [MONDOBLOG] The web log between diary and Zibaldone.
From the beginning of the Web, the theme of writing has been predominant: the Web was born as a digital blank page to be filled with content, and many pioneering network writers immediately envisioned the digital page as a diary. Initially, it was fifteen-year-old Justin Hall, then thousands, and later millions of writers began to create their own online diaries, interacting with each other, increasingly populating the web, inhabiting it with their daily reflections. Web diarists have inhabited and continue to inhabit all the different platforms that the internet has generated: web logs, forums, MySpace, Second Life, Facebook, Twitter-X, and many others. Among the diarists are also those who make a profession out of writing and use the Web log to exercise their narrative skills. If the first can be called diarists; for the second, writers aware of the linguistic canon, the term diarist might be inappropriate. In this case, for convenience and disturbing Leopardi, we will call the writer's Web log a Zibaldone:
«A notebook of notes and sketches recorded without order: the evolution of Leopardi's thought can be reconstructed from the notes of his 'Zibaldone'.» (DEVOTO OLI)
Among the Web zibaldones, to cite Italian examples, we recall that of the writer Giuseppe Genna (with his historic eponymous blog, the new one opened these days letterutura e pensiero and his Facebook page), Tiziano Scarpa (on the collective blog il primo amore), the architect-writer Gianni Biondillo (on the collective blog nazione Indiana), Wu Ming (an imaginary writer born and created by a collective of authors, active on several blogs including giap) or Michela Murgia (the first blog Il Mio Sinis no longer visible). Their online writings, in part, have been edited by various publishers.1
«I am a blogger,” writes science fiction writer Bruce Sterling, “and a fan of snippets of narrative associated randomly, but it has always been clear to me that the content of a blog has a short life. It's like performing stand-up comedy.»2
26 giugno 2024
Cose dentro cose
Ogni fine mese nel nostro studio ci riuniamo per discutere temi di architettura coinvolgendo spesso autori diversi, non necessariamente architetti, per mantenere una prospettiva fresca e aperta. Questo approccio ci aiuta a evitare di chiuderci in un narcisismo soffocante. Questo mese abbiamo scelto di riflettere sul tema delle 'cose dentro le cose', ispirati dalle parole del geografo Franco Farinelli:
«Succede che si è innanzitutto costretti a rinunciare a ogni modello del funzionamento del mondo di tipo esclusivamente spaziale, vale a dire fondato sull'esistenza di un intervallo standard che consenta di tenere distinti il soggetto dall'oggetto, entrambi fissi e immobili. E perciò si è costretti prima d'altro a riscoprire che il mondo non si compone di cose che stanno più o meno lontane o vicine l'una rispetto all'altra, come ci ha convinto la cultura occidentale dalla modernità in poi, ma piuttosto di cose che stanno l'una dentro l'altra.*»
Questo tema è stato per me una costante fonte di osservazione e riflessione per anni. Essendo in programma un mio soggiorno in Sicilia la prossima settimana, ho invitato Isidoro Pennisi a unirsi alla nostra discussione interna nella sede temporanea del nostro studio di Catania. Affascinato dal tema, Isidoro ha proposto di estendere la discussione in una conferenza pubblica, organizzata presso l'Ordine degli Architetti di Catania, in Largo Paisiello n. 5, dalle ore 16.00 alle 19.00.
Se vi trovate in zona, sarebbe un piacere incontrarvi.
Things within things
«It happens that one is first and foremost forced to give up any model of the world's functioning that is exclusively spatial, that is, based on the existence of a standard interval that allows keeping the subject separate from the object, both fixed and immobile. Thus, one is forced to rediscover that the world does not consist of things that are more or less distant or close to each other, as Western culture from modernity onwards has convinced us, but rather of things that exist within each other.*»
24 giugno 2024
0015 [WILFING] Dove eravamo rimasti?
0015 [WILFING] Where were we?
A blog for an architect is clearly evident from the stasis of these pages. As I have written many times* * * *, a blog for an architect is an extension of the drafting table, a place to jot down ideas, reflect on those of others, and initiate dialogues with other architects, writers, photographers, artists, and commentators. Being a blog without an editorial team, the frequency of articles/posts depends on the author's available time, both physical and mental.
Wilfing Architettura was also created with the intent to explore the change in architectural writing from paper to digital. I have questioned the protagonists of this period not to 'taxonomize' or 'almanac,' nor to 'prove a thesis' on a process, but to layer history by telling it as it happened. The silence of Wilfing Architettura in recent years was caused by the physical move from Leonforte, a small town in the province of Enna, to an almost metropolitan city like Milan. Recreating an architectural studio and settling in was not simple, but now that I have 'a room of my own,' I can make my drafting table public again.
So, where were we?
After almost eight years, resuming these pages means reconnecting with another world, as the blog now seems like computer archaeology, at least in the way it was used in its most active years.